In November Backcountry will celebrate its 20th birthday. The issues from the last two decades are lined up on my desk in descending order, and, I must admit, they’re taking up an awful lot of room. So in celebration of our approaching birthday, here’s a look at 20 years of Backcountry covers.
Cedric Bernardini was born just outside of Chamonix, but he didn’t become a skier until many years later. He has traveled all over, from Paris to Zimbabwe, but it was in the Sierra Nevada where he picked up his love for skiing. When Backcountry got him on the phone, Bernardini talked about days off, being lazy and skiing with friends.
It’s common knowledge among skiers that Lynsey Dyer can shred. After all, she’s been in more than a dozen ski films. But now she’s turning the lens around to produce an all-women ski film, Pretty Faces, due out in September. We caught up with Dyer to talk about Pretty Faces, community-sourced footage and motivating Minnesotan kids to ski.
Will Wissman has been taking pictures for longer than most people can say they have been skiing. He’s worked with magazines like Backcountry, National Geographic Adventure and Outside, and he carved out time in his busy schedule to chat with Backcountry about snowmaking, stoke and how avalanches can save lives..
Avalanches have always been a hazard in the backcountry, and our response to sliding snow has constantly evolved. But the most recent life-saving tool, the avalanche airbag, might be older than you think. The first airbag was introduced in 1985 by ABS founder Peter Aschauer. Backcountry first covered the technology in January 1997, Issue 10.
Mattias Fredriksson is a jack-of-all-trades. He’s worked as an editor, had his own magazine and is now a professional photographer with almost 400 cover images to his name. This September, Fredriksson will add another shot to his already impressive portfolio: the cover of Backcountry’s 2015 Gear Guide.
In the late ’80s and early ’90s, ski films meant big hair, Iron Crosses and rock music. And Greg Stump was the master of them all. The New York Times called Stump “a maverick film maker in the ski business,” and The Atlantic wrote, “Stump… does not make G-rated, safe-and-sane ski travelogues with elevator music. What he does make are wildly original, nonstop ski action films with comic and dramatic subplots and original scores.”